Lily Sanders {Author, Speaker, Radio Personality, Coach} cordially invites you to join us for a discussion and book signing of “Truth To Triumph: A Spiritual Guide to Finding Your Truth”. Get ready to be inspired!
A Blanket of Dust is a political thriller and a new addition to the Theater of Resistance. It is the story of Diana Crane, a modern day Antigone. The daughter of a US Senator whose husband has died in the World Trade Center, her subsequent ordeal in seeking justice for his murder ultimately drives her to the outer fringes of society. Struggling with facts that the government, the media, her family and her countrymen deny, she finally confronts them all with a harrowing act of sacrificial tragedy.
Metamorphic Convergence – A Journey of Planetary Stewardship is a streaming film series that shines a light on the path from the present to the future, while weaving together regenerative solutions and fresh perspectives from artists, scientists, activists, authors and philosophers. Through poetic imagery, visual meditation and timely interviews – the series delves into how our environmental crisis is an opportunity for radical personal and planetary transformation. Artists and filmmakers guide us on a journey to reconcile what they perceive as a crossroads for humanity.
Ken Hatfield Speaking About Copyright – legally protecting your creations. Understanding, securing and defending the most fundamental of all artists’ rights.
Date: Tuesday, September 24th, 2019
Time: 7pm to 8:30pm
Venue: Wingspan Arts (Film Center Building, 630 9th Ave, between 44 & 45 St., Suite 602, NY, NY 10036)
Ticket: $15 Buy ticket here: https://www.eventbrite.com/e/mfm-pres-make-music-your-business-9-workshop-w-ken-hatfield-tickets-72301472651.
No refund.
Seating: limited (up to 25 seats)
“What finally turned me into an activist for artists’ rights was the realization that no musician can afford to sit on the sidelines expecting others to fight for rights we ourselves are unwilling to defend.” Ken Hatfield
MFM Advisory Committee member Ken Hatfield will discuss what copyright is, its origins, its importance and why giant tech corporations are funding Astroturf campaigns to undermine it. He will also cover what individual artists need to do to secure and protect the ownership rights of their music under the recently passed Music Modernization Act (MMA).
About Ken Hatfield: the musician, author and activist
A leading proponent of jazz played on the classical guitar, composer KEN HATFIELD received ASCAP‘s prestigious Vanguard Award in 2006 for “innovative and distinctive music that is charting new directions in jazz.”
Ken’s the leader on 10 commercially released CDs, 9 featuring him performing his original compositions, as a soloist or with his ensembles. He’s published six books of his compositions. In 2005 Mel Bay published his comprehensive instructional book Jazz and the Classical Guitar: Theory and Application and in 2017 included two of his compositions in Contemporary Guitar Composers of the Americas.
Ken’s compositional experience ranges from jazz works for his own ensembles, to solo classical guitar works, choral works, and ballet scores for Judith Jamison, The Washington Ballet Company, and the Maurice Béjart Ballet Company, as well as scores for television and film, including Eugene Richards’ award-winning documentary but, the day came.
Ken continues to lead his own ensembles and be an in-demand sideman. In recent years he has also become an artist rights activist, serving as co-chair of the Artist Rights Caucus of Local 802 and as a member of the Advisory Committee of Musicians for Musicians (MFM). In April 2019 he participated in the United States Copyright Office’s fifth and final roundtable on reform of section 512 of the Digital Millennium Copyright Act.
About MFM
MFM seeks to bring together musicians from all disciplines, styles, traditions and localities in the cause of their mutual self-betterment. Whether through education, networking or political action, MFM’s ultimate goal is to elevate the work of all musicians to the level of a true profession, one which is recognized and appropriately rewarded by the society in which they live and work. MFM additionally advocates for the creation and maintenance of a fair and sustainable musical ecosystem, one in which participants share equitably in all forms of revenue generated by their work product, whether composed, recorded, or performed live. In the final analysis, we seek to promote all conditions which benefit the musicians’ community and the music created by it, while opposing all those which do them harm.”
“SPOILED” by The Hess Collective is an original work of physical theater in which three diverse female performers enact stories based on real events of violence against women that are written from the male point of view. The piece is conceived and directed by Elizabeth Hess and sponsored by UN Women USA.
The playscript is built on monologues of male characters from Chile, Germany, India, Turkey and the USA. The performance is staged with a mountain of large white plastic bags comprising the set. These are filled with items of female apparel, including bras and underwear, that launch each story. The performers are clad in gender-neutral T-shirts and blue jeans.
March 19-29, 2020; Thur-Sat at 8:00 PM, Sun at 5:00 PM at La MaMa, 66 East Fourth Street, Manhattan. $25 Adult Tickets; $20 Students/Seniors. The first ten tickets for every performance are available for only $10 each (limit 2 per patron, advance sale necessary). Box office 212-352-3101, http://lamama.org/spoiled/
